And in 1950, it was Jimmy who presented Olivia with her Best Actress Oscar for The Heiress.
TINTYPE TUESDAY: When Olivia Met (and Almost Married) Jimmy
You know who almost got married? Olivia de Havilland and Jimmy Stewart.
Can you imagine?
But when they got to the marriage license bureau, they were intercepted by the Minister of Fabulousness, who told them it would be just too much for them to join together in wedlock.
Okay that’s not actually what happened. Here’s what did.
In December 1939, Olivia and Jimmy were both bound for New York—she to attend the city’s premiere of Gone With The Wind at the Astor Theatre, and he to visit his sister for Christmas. Irene Mayer Selznick—daughter of Louis B., wife of David O., and no slouch herself in the mover-and-shaker department—suggested to Jimmy’s agent, the legendary Leland Hayward, that his client escort Olivia to her big event. And Jimmy, who was intrigued when he’d met the actress briefly in Hollywood, seized on the chance to get to know her better.
“Jimmy met me at LaGuardia airport,” Olivia recalled to James Fishgall, author of Pieces of Time: The Life of James Stewart. “He even had the limousine drive out to the airfield. We were both quite shy and ventured one word at a time in our conversation.” Those must’ve been some words: the two were quickly inseparable, dining together almost every night and ducking into the latest Broadway shows, including Paul Osborn’s Mornings at Seven, directed by Jimmy’s Princeton pal Josh Logan.
The new couple were closer than ever when they headed back to Los Angeles—where actual hijinks ensued, followed closely by shenanigans. One night, Jimmy pulled up to Olivia’s Spanish colonial home in his new LaSalle convertible. As he showed off the car in the driveway, it suddenly began to creak and groan to life. They soon discovered that the Hollywood Hills are just about the worst place to be when your brakes come unglued. As the glamorous pair—decked out in their evening best—frantically scrambled after the runaway coupe, it gained speed, bumping into parked cars and bashing finely manicured shrubs to bits, finally slamming into a telephone pole at the bottom of the steep incline. Jimmy was mortified, but Olivia thanked him for the laugh as they trudged back up the hill and bundled into her car to resume their date.
Another evening, Olivia and dinner guest Maureen O’Hara pretended to become violently ill after eating a fish Jimmy had caught. “But he didn’t pay the slightest bit of attention,” O’Hara remembered. “He knew!”
Already a licensed pilot, Jimmy loved to take Olivia out over the Pacific, and even gave her a few flying lessons. They also tooled around with his model airplanes, picnicked in the woods (with a Victrola in tow!), and sometimes just bundled on the sofa, each with a book, eventually dozing off. So close were they that by the spring of 1940, rumors of an impending elopement were popping up in fan magazines.
But Jimmy and Olivia, whose worldview stretched far beyond the petty contrivances of Hollywood, had more urgent issues on their minds. The Nazi threat was growing monstrously, and England—where Olivia’s parents were born and her father still lived—was largely standing alone against the Third Reich as other European countries began topple. In August 1940, when shooting wrapped on The Philadelphia Story, Stewart helped organize a benefit for the beleaguered British forces. Held at the Sam Houston Coliseum in Texas, the show featured Olivia, Tyrone Power, Mischa Auer and Jimmy’s close friend and one-time roommate Henry Fonda, who played the cornet to Jimmy’s accordion and teamed up with him on a magic act.
In March 1941, Jimmy enlisted in the Army, a full nine months before the bombing of Pearl Harbor. He and Olivia tried to remain close, but it was not to be. The following year, Olivia began seeing John Huston, her director on In This Our Life (Huston and Errol Flynn once reportedly came to blows over her), and her relationship with Jimmy officially ended.
At some point during their year and a half together, Jimmy, who had already squired half of Hollywood, did propose—but the ever-wise Olivia, though eight years younger, was skeptical about his level of maturity. “I think his offer of marriage was just a frivolous thing on his part,” she said years later. “Jimmy wasn’t ready for a wife—I guess he still had a few more wild oats to sow.”
“I think they got closer to the altar than was known at the time,” Jimmy’s friend, former MGM publicist Jerry Asher, recalled in Lawrence Quirk’s James Stewart: Behind the Scenes of a Wonderful Life. “But they ‘scaredy-catted’ out of it. They were a lot alike, Livvy and Jim. Prim, well brought up, decent, considerate, but as romantic and sexy as any guy or gal around.”
Whatever regrets the two may have had about their parting, we’ll never know. But both later said they wished they’d made a film together. Toward the end of their careers, they did appear, though separately, in Airport ’77 and the 1986 miniseries North and South, Book II.
- Posted in: The Story Behind the Film ♦ Tintype Tuesdays!
- Tagged: academy awards, bette davis, classic films, classic hollywood, david o. selznick, errol flynn, gone with the wind, henry fonda, houston coliseum, in this our life, irene mayer selznick, james stewart, john huston, louis b. mayer, maureen o'hara, mischa auer, olivia dehavilland, paul douglas, santa fe trail, the heiress, tintype tuesday, tyrone power, world war II