Welcome to an April-foolish Monday edition of STREAMING SATURDAYS, where we embed free films for you to watch right here!
From 1969, it’s Stuart Rosenberg’s The April Fools.
We first meet Howard Brubaker (Jack Lemmon)—newly promoted to a corner office on Wall Street—as he awkwardly elbows his way through a shady parade of partygoers who look like Holly Golightly’s hangers-on eight years down the line. But then—literally across a crowded room—he spots Catherine (Catherine Deneuve), also in need of rescue, and together they flee into the warm city night.
After an awkward outing at a jungle-themed cafe and the obligatory bout of gyrating at a groovy ’60s club, they come to the aid of Grace (Myrna Loy, luscious in a sherbet-colored caftan), a grande dame in distress whose chauffeur is too sloshed to drive her home. To her castle. Where husband Charles Boyer awaits. (Wait, is this still the movie, or one of those old-Hollywood fever dreams I sometimes fall into after a couple-too-many glasses of sherry?) Grace draws Catherine into a tarot card reading as a roundabout way of advising her to hang onto Howard and give her husband the air.
Oh yes did I mention both Howard and Catherine are married to other people? But they’re fed up with their social-climbing spouses and tired of the pretext they’re forced to keep up… you get the feeling that before they met, they were too beaten down to even realize how miserable they were. After finding Catherine, Howard tells his best friend, “All my life I’ve been tense and I never knew it.” Yes. That feeling where you’d grown so used to the pain you were barely aware of it any more—until someone came along and made it go away.
Shirley MacLaine was originally set to play Catherine, but bowed out to make Sweet Charity and barnstorm for Bobby Kennedy for President. (His brother-in-law Peter Lawford stayed on in the film, as Catherine’s husband.) And as adorable as a Lemmon-MacLaine reunion might have been, Deneuve, who can express pain and weariness with the slightest shift of her brow, gets the mood just right. And her cool grace plays perfectly off her co-star’s essential Jack Lemmon-ness.
So on this April Fools Day, what do I wish most for you? That you find someone who looks at you the way Jack Lemmon looks at Catherine Deneuve. Or the way he looked at Shirley MacLaine. Or even the way he looked at Walter Matthau. Honest to God, no one has ever poured more pure, unabashed how-did-I-ever-get-so-lucky love into a single gaze.
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